The Daily
The Year in TV & Movies
· Summarized
Key takeaways
- The current television landscape is filled with 'mid TV', which lacks originality and memorability compared to past prestige shows.
- Despite a trend towards algorithm-driven content, standout shows still emerge that capture the spirit of creativity.
- The film industry is suffering from a reliance on sequels and familiar formulas, with many original films still worth watching.
- Support for independent cinema is essential to encourage more innovative storytelling in both television and film.
Summary
The Blah State of TV
James Poniewozik discusses the current trend of 'mid TV' which reflects a lack of memorable shows in 2024. He defines 'mid TV' as slickly produced but forgettable content compared to the prestige television era that boasted groundbreaking series like 'The Sopranos' and 'Breaking Bad'. Poniewozik highlights how algorithms have shaped content creation, leading to familiar yet uninspiring series that rely on past successes rather than innovative storytelling.
Highlights of 2024 TV & Recommendations
Throughout the discussion, Poniewozik points out standout shows like 'We Are Lady Parts' and 'Phantasmagoria', emphasizing their originality and strong narratives. These shows illustrate the potential for creativity and innovation in television, despite the overwhelming presence of mid TV.
The State of Cinema in 2024
Manohla Dargis reflects on the film landscape of 2024, remarking on the dominance of sequels and a lack of originality in blockbuster offerings. She mentions the 'sequelitis' trend where studios favor safe bets over unique narratives, mirroring issues faced in television.
Must-Watch Films of the Year
Dargis recommends several standout films such as 'All We Imagine as Light', a touching story set in Mumbai, and 'Furiosa', which celebrates female empowerment. She discusses the exciting yet divided reception of 'Megalopolis', directed by Francis Ford Coppola, stressing the importance of seeking out original films that challenge the status quo.
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Show notes
As we approach the end of 2024, critics, reporters and editors at The New York Times are reflecting on the year in arts and culture, including television and film.
The Times’s chief television critic James Poniewozik and chief film critic Manohla Dargis talk with Melissa Kirsch, the deputy editor of Culture and Lifestyle, about why recent entertainment offerings may feel a little “blah,” and also recommend shows and movies that stand out.
Guest:
- Melissa Kirsch, the deputy editor of Culture and Lifestyle for The New York Times.
- James Poniewozik, the chief television critic for The New York Times.
- Manohla Dargis, the chief film critic for The New York Times.
Background reading:
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