Ep11 Pianos, Keyboards and Synths

In this light-hearted discussion, Brandon and Ryan reflect on their evolving approaches to sound mixing since the last recording, almost 10 months ago. They emphasize the importance of adapting to new information and techniques over time, suggesting that sound engineers frequently learn valuable lessons that can enhance their work. By revisiting basic principles, they’ve discovered new tricks that have refined their methods, which ultimately leads to better sound quality and performance.

The duo breaks down the complexities of live sound, specifically focusing on pianos and synthesizers. They categorize keyboards into three main types: acoustic pianos, keyboard pianos, and synthesizers. Exploring the nuances between these, they discuss how sound engineers must approach mic placement, EQ, and dynamics differently depending on the instrument. They highlight the significance of using stereo mics to create a wider sound stage and the necessity of managing feedback, especially in live settings. They also delve into the art of balancing sounds during live performances.

Brandon and Ryan dive into the challenges of working with keyboard patches and how they affect live mixing. They address the common issue of inconsistent volume levels across patches and the importance of pre-show preparations to level them out. The conversation reveals strategies for sound engineers, such as communicating with musicians about the levels of their sounds and creating a cohesive mix during rehearsals. By emphasizing preparation and soundcheck, they share valuable insights into making concerts run smoothly.

The hosts discuss EQ and dynamics processing for pianos and synths, highlighting best practices for achieving clarity in a live mix. They discuss the importance of high-pass filters to manage low-end presence and the use of dynamic EQs to balance frequencies as players adjust their dynamics throughout a performance. They also touch upon various techniques, including compression, to help stabilize sound levels and enhance the overall listening experience. Their advice aims to help sound engineers balance the blend of tones effectively.

The episode wraps up with an in-depth look at the best practices for miking and processing piano sounds. They discuss different methods and the trade-offs involved in mic placement, especially in live settings with varying levels of loudness from the stage. They share useful tips for isolating sound while capturing the rich tonal qualities of acoustic pianos and how to mix them effectively with synths. The hosts express that experimenting with different setups is crucial to finding what works best.