Ep17 Building a FOH Mix Pt 2: Equalization
· Summarized
Key takeaways
- Establish an order of operations when mixing, focusing on gain structure before applying EQ.
- High-pass filters are essential for nearly all open microphones to clean up the mix.
- Use subtractive EQ techniques primarily for corrections before engaging in creative EQ.
- Understand the source material to determine how to effectively manipulate EQ for live settings.
- Continuously assess and adjust EQ throughout a show, especially as the audience fills the venue.
Summary
Introduction to Mixing Concepts
In this episode of Lifesound Bootcamp, Brendan Draper and Joe Santarpi kick off a discussion on front of house mixing, focusing on the process of setting up an EQ. They begin with some light-hearted banter and reflect on their recent activities before diving into technical details.
Order of Operations in Mixing
The hosts emphasize the importance of establishing an order when it comes to mixing channels. Brendan outlines his approach, prioritizing auditory meter checks and gain structure before making decisions on EQ and dynamics. Joe expands on this notion, stressing that the order may vary based on the input source.
High-Pass and Low-Pass Filters
A significant portion of the episode is dedicated to high-pass filters, with the hosts agreeing on their necessity for nearly all microphone inputs. They explore the application of high-pass filters on vocals, instruments, and how they can enhance overall mix clarity. Furthermore, they discuss when low-pass filters are appropriate, particularly for effects and guitars, to manage excessive high-end frequencies.
EQ Techniques and Philosophy
Brendan and Joe delve into their philosophies surrounding EQ, commonly advocating for subtractive EQ to correct issues before undertaking creative adjustments. This discussion leads to insights on how to fix sound problems at the source and understanding how to make the most of EQ without losing the essence of the original sound.
Creative Uses of EQ
In contrasting corrective EQ with creative EQ, the hosts speak to the importance of not overcompensating while mixing live sound. They highlight strategies for enhancing certain frequencies while avoiding feedback, stressing the notion of ensuring clarity and intention behind EQ decisions.
Closing Remarks and Community Building
As the episode winds down, Brendan and Joe reflect on their conversation about EQ while inviting listeners to join their Facebook group for further interaction. They remind listeners of the importance of feedback and reviews to boost the podcast's visibility.
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Show notes
As a continuation of the previous episode, in part two we jump into concepts about the process including order of operations, setting your filters, making EQ changes. Although it sounds like this isn't a lot to talk about, somehow we talked about it for an hour, going over all the reasons for every move, breaking down corrective versus creative changes, boosts vs cuts, and even understanding what you can and can't EQ.--- Support this podcast:
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