115. Sound Check & Building Your Mix

Key takeaways

A good sound check starts long before musicians arrive, prioritizing organization and clarity.
Distinguishing between line checks and sound checks can streamline the setup and prevent chaos.
Building a mix should be incremental, starting with primary instruments to maintain clarity.
Avoid mixing pitfalls by establishing a structured process that serves both front-of-house and musicians.
The rehearsal stage is for refining the mix for musical dynamics, not just technical EQ settings.

Summary

Understanding the Sound Check Process

James and Gary delve into the nuances of sound checking, setting the stage for effective audio management during worship services. They stress that a sound check should involve verifying that all equipment is working and gaining control of the mix before the musicians arrive, aiming for an organized, smooth operation rather than diving into chaotic adjustments once the music starts.

The Importance of Line Check vs Sound Check

They highlight the distinction between a line check—where connections are verified for clarity—and a sound check, which builds on that foundation by ensuring that instruments and vocals operate harmoniously. A systematic approach saves time and avoids problems during performances.

Building an Effective Mix

The hosts emphasize the significance of constructing a balanced mix that accommodates both front-of-house and monitor mixes. By initially focusing on primary instruments and gradually layering in others, sound engineers can maintain clarity and control, which is crucial for both the musicians and the worshippers.

Common Pitfalls in Mixing and Solutions

Discussion revolves around common mistakes such as the chaotic 'fruit salad' approach and the 'ratchet method' in monitor mixes. Gary and James propose structured methods to avoid these pitfalls, ensuring the mix serves the congregation effectively while providing musicians the support they need to perform their best.

Transitioning to Rehearsal

Once sound checks are completed, the conversation shifts to rehearsal. They explain that rehearsal is distinct from sound checking, focusing more on the musical aspects of the performance as opposed to technical adjustments. Attention is driven towards musical mixing, where sound engineers actively adjust levels based on song dynamics.

Show notes

In Episode 115, the hosts discuss how to carry out sound check and begin building the mix. A proper sound check goes beyond just making sure everything is plugged in, it also helps in staying organized for the upcoming performance and shines a light on problems that could occur. They also dive into setting up a simple mix once sound check is complete. The Church Sound Podcast is sponsored by DiGiCo and Electro-Voice.

Check out James Attaway’s worship audio academy at www.attawayaudio.com/academy, and also visit our new Instagram page @churchsoundpodcast.

Co-host James Attaway is the author of the Live Mixing Field Guide, a quick-start guide to EQ, compression and effects. Find more from James on the Attaway Audio YouTube Channel and at AttawayAudio.com. Reach him on IG @attawayaudio or contact him via email here.

Co-host Gary Zandstra has worked in church production as an AV systems integrator and as a manufacturer’s rep for more than 35 years.