Episodes
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Kimbra reflects on a song that we used to know
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Kaytranada's journey from basement beat-making to the Grammys
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JP Saxe Didn’t Mean for His Grammy Hit ‘If the World Was Ending’ to Be So Literal
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Adrian Younge's new project sounds like James Baldwin meets Marvin Gaye
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The Scandalous Sounds of Bridgerton (w Kris Bowers)
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How The Weeknd’s “Blinding Lights” used retro sounds and modern bass to break every record
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Epik High is our gateway into Korean hip hop (with Tablo)
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Olivia Rodrigo’s “Drivers License” is a full throttle power ballad
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D.O.C. (Death of the Chorus) with Emily Warren
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ICYMI: The End Of Pop Music As We Know It: Fall Out Boy & Charli XCX
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ICYMI: Do You Believe in Life After Autotune?
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Wham! Op. 84 “Last Christmas” with Chilly Gonzales
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Taylor Swift has "evermore" of a good thing
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Women's Rap Renaissance
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Red Hot + Blue with Meshell Ndegeocello
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The Cyndi Lauper Conspiracy (with Sam Sanders)
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ANTHEMS: Missy Elliott — Work It
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ANTHEMS: Smash Mouth — All Star
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ANTHEMS: Jock Jams — Get Ready For This
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ANTHEMS: Queen — We Are The Champions
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